COLRS opens this years Berlin Fashion Week with KINDERZIMMER, an exhibtion, publication, and After-party in collaboration with the art and social club Studio1111. KINDERZIMMER depicts the origin of COLRS - not nostalgia, but foundation.
KINDERZIMMER is a book launch and exhibtion about a time before structure, before intention, before branding. It documents a formative period between 2017 and 2020—years that weren’t a phase, but a state of mind. Rather than nostalgia, the book operates as a foundation. Texts reflect on skateboarding as a medium, the city as a set, and movement as a form of thinking. Cologne becomes the backdrop: streets, curbs, spots, clubs, friendships, noise. There was no goal, no image, no tomorrow—only presence, intensity, and momentum.
Our latest production for Hardcopy Volume 2, shot in the streets of Paris. Fantazia isn’t just a theme we’ve used to frame this issue. It’s the lens through which we’ve approached every creative decision. From our contributors to the stories and interviews, everything was chosen with that idea in mind. Each contributor shares a deep understanding of how to translate a cultural moment into visual storytelling. Together, they help us explore and reinterpret fantasy – not just as an idea, but as something living, immersive, and tangible.
Photography: Jan Malinowski
Fashion direction: Jeanna Krichel
Hair: Sandra Broniszeska
Make up: Ania Grzeszczuk
Production: Mutter Agentur
Casting director: Ania Jozwiak
Fashion assist: Franka Klapproth
Production assist: Casey Elie-Meiré
Hosted by Anna Kuen and curated by Marcus Boxler
MUTTER Edition 02 unfolded as an interdisciplinary night at Studio1111 in Berlin, bringing together moving image, conversation, and sound within a shared artistic space. Hosted by artist Anna Kuen and produced in collaboration with Studio1111, the evening explored how different artistic practices intersect and influence one another in a club-night format.
The program began with a curated screening of works by emerging and established artists, followed by a panel talk that opened up dialogue around process, collaboration, and contemporary artistic positions. As the night transitioned into the club format, the space shifted seamlessly from discourse to dance floor, with a lineup that extended the conceptual framework into sound.
Edition 02 functioned as both exhibition and gathering — a fluid format where art, music, and audience merged, emphasizing an approach centered on exchange, experimentation, and community-driven cultural experiences.
The screening was curated by Marcus Boxler in collaboration with the Medien Kunst Verein Berlin and featured works by Alla Popp, Dagmar Schürrer, Kathrin Hunze, and Jonas Blume. The works were presented collectively at the beginning of the evening and continued to unfold throughout the club night, allowing the moving images to remain present as the space transformed.
After leaving Yeezy, Salehe Bembury was two paychecks away from having nothing in the bank at one point. He was applying everywhere, to houses like Versace but also to Zara. He would have even happily taken the job at Zara, but Versace called first. Versace wasn’t streetwear and Italian luxury was unfamiliar to him, but he took the job and ended up running the entire footwear program almost alone. And yet, Bembury’s success never hinged on a single house or logo. From the Versace Chain Reaction to the Crocs Pollex Pod, his designs defined a decade, alongside collaborations with New Balance, Clarks, Puma, Moncler, Takashi Murakami, and numerous others.
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Photography: Byron Spencer
Production: Mutter Agentur
Styling: Jeanna Krichel
Talent: Salehe
In a time when artistic disciplines increasingly dissolve into one another, this series proposes a space where sound, movement and image converge into a single living organism. Each edition centers on one principal artist, a nucleus of creative energy around whom an ecosystem of collaborators unfolds: composers, performers, visual artists and choreographers. Together they construct an immersive environment that resists static spectatorship and invites sensorial participation.
These experiences are not traditional performances but temporal architectures, charged spaces in which artistic languages collide and merge. The body becomes sound, the voice becomes sculpture, light becomes rhythm. Within this intersection, the boundaries between stage and audience.
The series celebrates the physicality of art, its urgency, vulnerability and collective potential. By situating contemporary practice within an accessible and visceral framework, it dissolves hierarchies between high and popular culture and generates moments of unexpected synergy, which creates space for dialogue and discussion. The entire evening is planned around the main act and supplemented artistically, partly with curatorial assistance and partly in cooperation with institutions or galleries. Each event is an invitation to experience art not as a distant object of contemplation but as a total encounter, something to be felt, inhabited and shared.
HOSTED by Mutter & CO- hosted by An ARTIST.
As part of Berlin Art Week 2025, @studio1111berlin transformed into a multi-sensory, overstimulating gallery–cinema hybrid. Expanding on Byron’s acclaimed Sydney retrospective, this reimagined experience combined sophisticated sound design in perfect sync with visuals, alongside never-before-seen works.
Visitors moved through a flowing sequence of moods and intensities — from scrapbook fragments, raw journalism, erotica, and vintage home videos to surreal pop culture moments and a new realm of AI-enhanced art.
Created in collaboration with @10magazine, the installation featured the unveiling of a new cover and behind-the-scenes footage with a cultural icon. Exclusive works included collaborations with Sega Bodega, Mykki Blanco, Paris Hilton, Troye Sivan, Erotica, and more.
“Series Painter” brought together Anna’s multidisciplinary practice, examining the interplay of heritage, perception, and landscape through both canvas and porcelain. The exhibition traced her methodical approach: fragmentary words, tonal sketches, and layered mark-making created works that negotiated memory, identity, and spatial experience. Her porcelain series, developed during a residency at Königliche Porzellan-Manufaktur Berlin (@kpmberlin), engaged with Bauhaus tradition while extending her painterly vocabulary.
The collection explored sun-drenched freedom and the thrill of crossing boundaries—both physical and emotional. Inspired by youthful memories, it blended beach culture and vintage aesthetics into a summer story of barefoot escapes, stolen glances, and heatwave adventures.
Built on upcycling and vintage revival, the pieces incorporated reclaimed garments and materials such as worn denim, bleached cotton, flags, military canvas, and leather remnants. Loose, lived-in silhouettes and a palette of dusty neutrals with bursts of color captured the hazy confidence of long summer days.
La Biosthétique partnered with COLRS on hair and make-up, while Ray-Ban supported the show with their iconic Wayfarer sunglasses.
“Staying Silent Doesn’t Change Anything”
Since her breakthrough performance in Krank Berlin, German actor Samirah Breuer has come to define what acting truly means to her. In this conversation she opens up about choosing roles that reflect real human complexity, the courage to say no, and why empathy is her most powerful tool as an actress.
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Photography: Nikolas-Petros Androbik
Styling: Franka Klapproth
Production: Mutter Agentur
Producer: Carolin Becker
Hair and Make-Up: Ilya Fesenko
Styling Assistant: Ellen Schulde
Growing up in a creative family — her dad works in musical theatre, her mom was an opera singer — Mina was exposed to the arts from an early age and quickly found her passion for acting. She took classes, joined a youth agency, and landed early roles in children’s films. By 16, she stepped into more mature roles, including on Tatort. Then came the series Druck, her first lead role at 17, which brought her widespread recognition and earned the prestigious Grimme Prize in the children and youth category. Mina even paused her final year of school to fully commit to the project.
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Photography: Tobias Kruse
Styling: Franka Klapproth
Production: Mutter Agentur
Producer: Carolin Becker
Hair and Make-Up: Jana conoheimbrosta
Photography Assistant Jonas Mertens
Styling Assistant: Melina Meckon
COLRS to Debut Latest Runway Collection at the DITTRICH & SCHLECHTRIEM Gallery.
This season’s collection extends beyond garments, incorporating film and sound to immerse the audience in a vivid narrative world. This season, Punkzec draws inspiration from the romance and chaos of the annual Mille Miglia race—a spectacle of small Italian towns consumed by the frenzy of roaring engines and fearless drivers. At its core, the collection is an ode to the dream every young boy once had: to become a racecar driver. Drawing from the heroic legacy of motorsport legends like Stirling Moss and Juan Manuel Fangio. True to COLRS’ approach, this collection seamlessly weaves a classic twist, paying homage to the timeless elegance of Gianni Agnelli, widely regarded as one of the most stylish men in history. The garments embody the daring spirit of motorsport while capturing the quintessential sophistication of Italian aristocracy.
Creative director: Zec Elie-Meiré
Production: Mutter Agentur
Executive producer :
Lennan Daniel, York Jun Elie-Meiré
Producer: Emil Gerling
Photographer: Clemens Klenk
Art director: Gabriel Popoff
Creative assistant: Tim Welpotte
Makeup artist: Akira Knightley
Hair: Kaia Olbs
Following COLRS’ debut runway show at Berlin Fashion Week, we hosted an in-store event that brought together friends, press, and collaborators. The evening continued with an exclusive afterparty in partnership with Numéro Berlin, celebrating the collection launch in true ‘Pace Of Life’.
OOR Apparel
Torstraße 76,
10119 Berlin
8MM Bar
Schönhauser Allee 177b,
10119 Berlin
Photography: Caroline Kynast